Propellerhead Software Reason 10 EDU - Music Production Software (Student/Teacher Educational, Download) 25474 | Pro Audio Solutions - The first knowledge sharing application in Vietnam

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Propellerhead Software Reason 10 EDU – Music Production Software (Student/Teacher Educational, Download) 25474

Product Highlights

Grain & Europa Synthesizers
Klang Percussion, Pangea Instruments
Humana Vocal Ensemble, Radical Piano
Synchronous Modulation Device
Loop Supply & Drum Supply Loops/Samples
Mixer Based on the SSL 9000K Console
Bounce In Place and Audio-to-MIDI
Record Unlimited Audio Tracks
Rack Extensions
Mac OS X, Windows

Mục lục bài viết

Propellerhead Software Reason 10 Educational version 254570 Overview

This electronic download version of the music production software Reason 10 from Propellerhead Software
is a virtual studio offering synthesizers, samplers, drum machines, and
effects, coupled with MIDI & audio tracks, and a dedicated mixer
based on the world-class SSL 9000K recording console. Version 10
introduces the Loop Supply and Drum Supply loop/sample sets, the
Synchronous effects modulator, and six new virtual instruments,
including the Grain and Europa synthesizers, Klang tuned percussion,
Pangea world instruments, Humana vocal ensemble, and the Radical Piano
premium acoustic piano.

he software offers many workflow features including audio-to-MIDI,
bounce in place, reverse MIDI, and split notes with the Razor tool. The
included Player Devices offer MIDI insert effects including scales &
chords, note echo, and the dual arpeggiator. Additionally, the pitch
editor allows for high-quality pitch correction from within the sequence
window. Reason 10 includes 5000 instrument patches, 1000+
mixing/mastering effects, and over 3000 loops.

This electronic download version of the music production softwarefromis a virtual studio offering synthesizers, samplers, drum machines, and effects, coupled with MIDI & audio tracks, and a dedicated mixer based on the world-class SSL 9000K recording console. Version 10 introduces the Loop Supply and Drum Supply loop/sample sets, the Synchronous effects modulator, and six new virtual instruments, including the Grain and Europa synthesizers, Klang tuned percussion, Pangea world instruments, Humana vocal ensemble, and the Radical Piano premium acoustic piano.he software offers many workflow features including audio-to-MIDI, bounce in place, reverse MIDI, and split notes with the Razor tool. The included Player Devices offer MIDI insert effects including scales & chords, note echo, and the dual arpeggiator. Additionally, the pitch editor allows for high-quality pitch correction from within the sequence window. Reason 10 includes 5000 instrument patches, 1000+ mixing/mastering effects, and over 3000 loops.

Users can record to
an unlimited number of audio tracks, and record-ready channels can be
created in an instant. A composite editor assists in building the
perfect track simply by selecting the parts that work and muting the
ones that don’t. Non-destructive time stretching allows for recording
first and picking a tempo later, while non-destructive pitch change is
done with a mouse click.

The software includes MIDI-out support to bring the sound of hardware
synthesizers and beat boxes to the Reason rack. MIDI is handled by an
external MIDI instrument device, which is fully integrated into the
Reason environment. Automating MIDI equipment from Reason’s sequencer or
even from control voltages in the Reason rack is very simple to set up.
Additionally, the software can automatically slice audio recordings
into single notes or hits, for further creative control and to quantize a
take, tweak timing to perfection, or drastically change the recording
using time stretching. The sliced-up audio can also be converted to REX
files for playback and further treatment in Reason’s Dr. Octo Rex Loop
Player, samplers, or the Kong Drum Designer.

A fast and flexible
sequencer comes with vector and tempo automation, count-in, multiple
lane tracks, and Blocks mode. The floating window provides fast access
to detailed editing functions that you may use all the time, such as:
quantize, transpose, note velocity, note length and legato. When
creating songs, many musicians tend to think of music in terms of intro,
verse, chorus, breakdown, and buildup, etc. With Blocks mode, the
sequencer allows the sequencing of songs using a pattern-based approach,
with the segments of the song laid out in an arrangement as individual
building blocks.

The ReGroove Mixer is a real-time, non-destructive groove management
device that can lock all the tracks together into one unified feel, and
allows you to apply different settings to create up to thirty-two
musical elements in a song. Rack extensions open up the Reason rack to
third-party developers. While not a new plug-in format, they function in
a similar manner in that they “plug-in” to the rack, but retain the
same hierarchy as any other Reason component. Load them into Combinator,
route cables on the back, automate all parameters, and experiment with
the safety of undo.

Features

What’s New in Version 10

Grain sample manipulator: drop in samples then modify them with various playback algorithms, modulation, routing, and effects
Europa shape-shifting synthesizer: wavetable synthesis with spectral filtering, harmonics processing, and custom waveforms
Klang tuned percussion instrument: glockenspiel, music box, wine glasses, and more
Pangea world instruments: sounds from instruments found around the globe
Humana vocal ensemble instrument: multiple choirs and solo voices available at your fingertips
Radial piano advanced acoustic piano: three pianos based on a blend of sampling and physical modeling
Synchronous
effects modulator: create side-chain effects or draw LFO curves to
control filter, delay, reverb, distortion, and level
Loop Supply and Drum Supply (3GB of loops and samples)

Standard Features

Player device
- Scales & chords: transposes
  incoming notes to fit a set scale, or transposes notes and generates
  chords that fit the desired scale. Scales & chords has a number of
  built-in preset scales, and you can also create your own custom scales.
- Note
  echo: simulates a MIDI-delay effect, by adding repeats of the incoming
  MIDI notes. The note echo device is polyphonic, so you can get repeats
  of entire chords. Each repeat of the echo can be pitched to allow for
  the creation of glissando and other pitch effects
- Dual arpeggio:
  the dual arpeggio device accepts one or several notes as input and
  generates rhythmic patterns based on these notes. You can use it as a
  traditional “monophonic” arpeggiator, where arpeggio lines are played
  back one note at a time based on the notes you play/hold on the MIDI
  control keyboard, or you can use it in Pattern mode, where you can
  create polyphonic (4-note) rhythmic patterns, depending on how many
  notes you play/hold on your MIDI Control Keyboard
Pitch
edit: correct and/or transpose the pitches of individual detected notes
in monophonic recordings. Pitch edit mode is developed especially for
editing and correcting the pitches of vocal recordings. The audio pitch
editing is made graphically in a way similar to other pitch
correction/editing software on the market.

Workflow enhancements

Bounce in place: lets you bounce the
sound generated from playing back note or audio clips to a new audio
clip on a new audio track. Bounce with any insert effects and channel
strip coloration, but without send-FX and master-section settings
Reverse
MIDI and automation: reverse note (and automation) clips and events.
For example, play the events of the clip “backwards” (from the end to
the start).
Razor tool: split/slice one or several notes in an open note clip
Themes: choose from default, blue, or dark visual themes, which determine how the user interface is visually presented
Audio to MIDI: sing your melodies, hum your bass lines. Monophonic audio clips can now be exported to MIDI with a single click

Updated sound bank: over 5,000 instrument patches, 1,000+ mixing/mastering effects, and over 3,000 loops

The software offers many workflow
features including audio-to-MIDI, bounce in place, reverse MIDI, and
split notes with the Razor tool. The included Player Devices offer MIDI
insert effects including scales & chords, note echo, and the dual
arpeggiator. Additionally, the pitch editor allows for high-quality
pitch correction from within the sequence window. Reason 10 includes
5000 instrument patches, 1000+ mixing/mastering effects, and over 3000
loops.

Users can record to an unlimited number of audio tracks,
and record-ready channels can be created in an instant. A composite
editor assists in building the perfect track simply by selecting the
parts that work and muting the ones that don’t. Non-destructive time
stretching allows for recording first and picking a tempo later, while
non-destructive pitch change is done with a mouse click.

The
software includes MIDI-out support to bring the sound of hardware
synthesizers and beat boxes to the Reason rack. MIDI is handled by an
external MIDI instrument device, which is fully integrated into the
Reason environment. Automating MIDI equipment from Reason’s sequencer or
even from control voltages in the Reason rack is very simple to set up.
Additionally, the software can automatically slice audio recordings
into single notes or hits, for further creative control and to quantize a
take, tweak timing to perfection, or drastically change the recording
using time stretching. The sliced-up audio can also be converted to REX
files for playback and further treatment in Reason’s Dr. Octo Rex Loop
Player, samplers, or the Kong Drum Designer.

The ReGroove Mixer is a real-time,
non-destructive groove management device that can lock all the tracks
together into one unified feel, and allows you to apply different
settings to create up to thirty-two musical elements in a song. Rack
extensions open up the Reason rack to third-party developers. While not a
new plug-in format, they function in a similar manner in that they
“plug-in” to the rack, but retain the same hierarchy as any other Reason
component. Load them into Combinator, route cables on the back,
automate all parameters, and experiment with the safety of undo.

What’s New in Version 10

Grain sample manipulator: drop in samples then modify them with various playback algorithms, modulation, routing, and effects
Europa shape-shifting synthesizer: wavetable synthesis with spectral filtering, harmonics processing, and custom waveforms
Klang tuned percussion instrument: glockenspiel, music box, wine glasses, and more
Pangea world instruments: sounds from instruments found around the globe
Humana vocal ensemble instrument: multiple choirs and solo voices available at your fingertips
Radial piano advanced acoustic piano: three pianos based on a blend of sampling and physical modeling
Synchronous
effects modulator: create side-chain effects or draw LFO curves to
control filter, delay, reverb, distortion, and level
Loop Supply and Drum Supply (3GB of loops and samples)

Standard Features

Player device
- Scales & chords: transposes
  incoming notes to fit a set scale, or transposes notes and generates
  chords that fit the desired scale. Scales & chords has a number of
  built-in preset scales, and you can also create your own custom scales.
- Note
  echo: simulates a MIDI-delay effect, by adding repeats of the incoming
  MIDI notes. The note echo device is polyphonic, so you can get repeats
  of entire chords. Each repeat of the echo can be pitched to allow for
  the creation of glissando and other pitch effects
- Dual arpeggio:
  the dual arpeggio device accepts one or several notes as input and
  generates rhythmic patterns based on these notes. You can use it as a
  traditional “monophonic” arpeggiator, where arpeggio lines are played
  back one note at a time based on the notes you play/hold on the MIDI
  control keyboard, or you can use it in Pattern mode, where you can
  create polyphonic (4-note) rhythmic patterns, depending on how many
  notes you play/hold on your MIDI Control Keyboard
Pitch
edit: correct and/or transpose the pitches of individual detected notes
in monophonic recordings. Pitch edit mode is developed especially for
editing and correcting the pitches of vocal recordings. The audio pitch
editing is made graphically in a way similar to other pitch
correction/editing software on the market
Workflow enhancements
- Bounce
  in place: lets you bounce the sound generated from playing back note or
  audio clips to a new audio clip on a new audio track. Bounce with any
  insert effects and channel strip coloration, but without send-FX and
  master-section settings
- Reverse MIDI and automation: reverse
  note (and automation) clips and events. For example, play the events of
  the clip “backwards” (from the end to the start).
- Razor tool: split/slice one or several notes in an open note clip
- Themes: choose from default, blue, or dark visual themes, which determine how the user interface is visually presented
- Audio to MIDI: sing your melodies, hum your bass lines. Monophonic audio clips can now be exported to MIDI with a single click
Updated sound bank: over 5,000 instrument patches, 1,000+ mixing/mastering effects, and over 3,000 loops

Advanced Features

Browse and search window provides access from the
main and rack windows, offering instant accessibility to instruments,
effects, presets, loops, and samples
Drag-and-drop support
through any of Reason’s windows. Drag instruments to create tracks and
change presets within the sequencer and load samples directly to any
device
Zoom-to-selection allows for instant zoom from birds-eye to close-up and back again by simply hitting the Z key
Double-click to add or delete notes
Resize regions from both edges
Duplicate notes with quick commands
Track-naming follows patch selection
Support for the Propellerhead music-sharing and collaboration service
Auto-update function to automatically download and install updates
Revert browsing to return to previous loaded patch
MIDI-in-the-rack allows for the master MIDI controller input to be assigned to any track from the rack window
MIDI-out
support for controlling hardware synthesizers and beat machines from
the Reason rack using the fully integrated external-MIDI instrument
device—automate MIDI equipment from Reason’s sequencer or from control
voltages in the Reason rack
Software automatically slices audio
files into single notes or hits so you can quantize them, tweak timing,
or drastically change the recording using time-stretch. The sliced audio
can also be converted to REX files for playback and further treatment
in Reason’s Dr. Octo Rex Loop Player, samplers, or the Kong Drum
Designer
Mixing controls like level and pan are now available in
the rack not just the mixer, meaning less jumping around within the
program
Audiomatic Retro Transformer for retro sound effects.
Select one of the sixteen snapshots including VHS, vinyl, gadget, or
even MP3, and then tweak with the Transform control
Built-in
spectrum analyzer window provides instant visual feedback on the
selected channel or bus—the Spectrum EQ window combines the analyzer
with a graphic EQ overlay controlling the mixer’s EQ, allowing for easy
adjustment of EQ on tracks from anywhere in the program
Expanded soundbank adds a section of hard-hitting drum loops: big-room house, dubstep, and even metal
Support
for more audio-import formats such as MP3, WMA and AAC, to make it
easier to grab loops and recordings from a music library or the Web
4GB factory sound bank

Mixer

Faithfully modeled after the SSL 9000K analog mixing desk
Flexible routing of signals to and from the mixer, including unlimited insert effects and eight send effects
Full dynamics with side-chain key-input. Each channel offers a dedicated compressor and gate
EQ offers four bands of parametric equalization and both high- and low-pass filters
Bus
channels make it easy to group racks, and even group mixer groups to
process them together – create parallel channels with a single click for
separate processing such as parallel compression
Features the renown SSL master-bus compressor

Instruments

Subtractor

Analog-type polyphonic synthesizer based on subtractive synthesis
Two oscillators produce basic waveforms like square, sawtooth, triangle, and sine, plus an additional waveform based on samples
Dual filters, three envelope generators, and two LFOs
Phase offset modulation
Transform the tonal characteristics of the piano with a single knob

Malström

Creates
sounds using Graintable technology, which combines the best parts of
granular and wavetable synthesis for results that are exciting,
controllable, and texturally varied
Full filtering and modulation options
Includes real-time waveform stretching, spectral modulation, and wavetable sweeping
Shift
function uses resampling to manipulate each grain, in order to shift
the formant of the Graintable through the harmonic spectra without
altering the pitch
Audio inputs allow for filtering other Reason devices

Thor Polysonic Synthesizer

Features six different oscillator types and four unique filters
Six
open filter and oscillator slots allow for loading up three different
synthesizer filters and three separate oscillators simultaneously
Analog-style
step sequencer that can also be used as a modulation tool, to trigger
phrases from specific keys, to create arpeggios, and to generate
percussion lines

ID8 Instrument Device

Features a wide palette of sounds for building a steady foundation for tracks, including pianos, drums, bass, strings, and more
Contains thirty-six presets divided into nine categories, with four sounds in each category
ID8
is used by default when loading a standard MIDI file into the Reason
sequencer serving as a starting point to be able to play back the
imported file

Neptune Pitch Adjuster/Voice Synth

Advanced pitch adjuster, audio transposer, and voice synth
Fine tune the pitch of an audio track
Change the key of a song that’s already been recorded
Play
a MIDI keyboard and Neptune creates new harmonies from vocal tracks in
real time, or use it without the original voice to completely change the
melody of the song

Samplers

NN-XT Advanced Sampler

Flexible software sampler for demanding sampling tasks
Alternate sample playback, auto-pitch detection, zones with individual parameters, and more
Filters, envelopes, and tempo-syncable LFOs
Layers and velocity crossfades
Automatic pitch-detection
Alternating zones
Load third-party sampler patches
CV and gate inputs and outputs
Sixteen audio-output channels

NN-19

Bare-bones
approach to sample handling. Perfect for anyone looking for a sampler
that can treat samples with a lot of modulation and automation
Filter section, LFO, and envelopes
Load a single WAV or AIFF sample or load a sampler patch
Load a single file (mono or stereo) and transpose the audio across the keyboard by speeding up or slowing down playback
Create multi-sample patches for realistic playback
Modulation inputs include: oscillators, filters, filter resonance, level and modulation wheel
Modulation-out can be sent by the filter envelope or LFO, and gate inputs are available for the amp or filter envelope

Drums and Loops

Kong Drum Designer

Analog synthesis, physical
modeling, sampling, REX loops, support sound generators, effects,
flexible routing, multiple hit types, and more
Sixteen pads and sixteen drums
Nine drum modules
Two support generators and nine effects
Program automation and create alternating groups

Redrum

Drum machine in the Reason rack
Ten channels that can play one AIFF or WAV sample each
Drum kits can be saved as Redrum patches
Built-in pattern sequencer
Can be played from Reason’s main sequencer or via MIDI
Each channel has two effect sends that are routed to the drum computer’s two effect send outputs
Gate out and in that can trigger other devices with Redrum or trigger Redrum sounds from other units
Pitch control voltage input for each channel

Dr. Octo Rex Loop Player

Loads eight REX loops and lets you switch between them on the fly, making arranging a breeze
Player can retrigger loops on a beat, on a bar, or on a 16th note, or let you program the loops manually
Each of the eight loops has an expanded set of per-slice settings
Set pan, pitch, filter frequency and levels, Reverse slices, use multiple outputs, create alternating groups of slices, and more

Device Control

Spider Mergers/Splitters

Spider audio merges or splits audio to bring a hardware studio’s patching capabilities into the software realm
Merge
multiple audio signals and process them with the same insert effect, or
split an instrument’s output into four outputs and send them to four
different effect processors
Spider CV splits or merges CV and gate signals
Split
the CV signals from the Matrix Pattern Sequencer to trigger several
synthesizers with the same pattern, or merge the outputs of several LFOs
to create very complex modulation patterns

Matrix

Analog-style sequencer with a maximum of thirty-two steps per pattern
Each pattern can be freely sized regardless of what time signature has been chosen in the sequencer
Resolution selector allows the playback of a pattern in a range between 1/2 notes to 1/128th notes
Patterns can also be moved up or down a semi tone or one step left or right
Alter-pattern option
Ties and randomize functions
Connect CV and gate outputs from Matrix to a receiving device to activate and control the pitch of each note
Create complex LFOs for control of reverb decay, oscillator modulation, and panning, or use it for rhythmic synthesizer control

RPG-8 Monophonic Arpeggiator

Wide range of on-panel controls and mode selectors
Pattern section for muting selected notes in an arpeggio
Large display showing values and positions
Single note-repeat function engages the arpeggiator only when two or more simultaneous notes are held down
Manual mode will arpeggiate notes strictly in the order they were input, for real-time arpeggio control

Combinator

Tool for combining and controlling devices or building unique instruments
Allows
for building elaborate chains of Reason units—instruments, effects, and
pattern sequencers, and saving them as Combi patches
When a
Combi patch is opened, all units in the setup are instantly loaded,
complete with sounds, settings and routings, making it performance
friendly and perfect for both stage and studio use
Houses an unlimited number of Reason devices
Programmer
window makes it easy to build thick, layered sounds using any number of
synthesizers and samplers, or create keyboard splits for mapping out
different instruments across a MIDI keyboard
Alternate between instruments using velocity splits

Dynamics and EQ

MClass Mastering Suite

Four separate mastering units designed to add power and presence to Reason mixes
MClass equalizer is a 4-band mastering EQ with low- and high-shelving bands, two peak filters, and a low-cut switch
MClass stereo imager splits the incoming audio into low- and high-frequency bands, each independently adjustable
MClass
compressor is a single-band compressor and features a sidechain input
for advanced compression functions such as ducking or de-essing, a
soft-knee mode for smooth, musical compression, and CV out for
dynamically controlling other Reason devices
MClass maximizer maximizes the volume of Reason tracks, without crushing them or introducing other unwanted artifacts
Limiter
section with switchable lookahead for distortion-free brickwall
limiting and a soft-clip section for rounding out harsh transients

Pulveriser Demolition

Combines crunchy compression, distortion, a multi-mode filter, and flexible modulation into a single effect
Apply parallel compression to bring out the details of a sample or recording
Use the envelope follower when recording live instruments for responsive, expressive filter effects

BV512 Digital Vocoder

4- to 512-band vocoder capable of modulating sound in both old-school analog style and digital FFT fashion
Combine any two sound sources like vocoding a percussion track with the bassline or the string pad with the rhythm guitar
Fully automatable including band-level settings
Record front-panel actions or use the pen tool to draw-in layers upon layers of wild frequency changes
Equalizer mode turns the BV512 into a 4- to 512-band stereo equalizer

Softube Guitar and Bass Amplifiers

The Softube Guitar Amp and Softube Bass Amp are amplifier
and speaker cabinet simulators based on the renowned
modelling algorithms developed by Softube. The two devices feature
accurate simulations of some of the most coveted vintage amplifier and
cabinet models, that you can freely mix and match.

Guitar Amp Models

Twang: a silvery American classic, great for clean and slightly overdriven guitars. Popular for country, blues, and more
Crunch:
British 60’s classic that keeps its chiming, present character, whether
you play it clean or drive it so hard it’s on the verge of breaking
down
Rock: a yummy, warm, fat, tube distortion
Lead: screaming leads and power chords that sustain for days

Guitar Cabinet Models

Bright:
a 2 x 12 cabinet with deep lows and heavenly highs. The dynamic mic is
placed on axis but still lets a hint of room into the sound
Room: A more midrange present 2 x 12 with the small-diaphragm dynamic mic placed off axis and a wide stereo room added
Fat: fat, solid 4 x 12 classic. Captured with a German condenser microphone on axis for that full-bodied sound
Tight: slightly midrange-scooped 4 x 12 cabinet. The large diaphragm dynamic microphone gives an in-your-face presence

Bass Amp Models

Modern:
a contemporary version of a classic tube design from one of the most
popular bass amplifier brands. Modern has all the clarity and punch
you’d expect from a modern amplifier, but still with the pleasant
three-dimensionality that well-designed tube amplifiers offer
Vintage:
vintage gives you a dark, dirty, steamy bass sound that adds power and
attitude, and helps the bass instrument cut through the mix

Bass Amp Cabinet Models

Dark:
a classic 8 x 10 cabinet with a snappy response across the frequency
spectrum. Captured with a German large-membrane dynamic microphone,
straight on axis for a clear sound and a rock-solid low end
Bright:
a British 4 x 12 bass cabinet with great midrange presence. The dynamic
microphone is placed off axis for a slightly roomy sound
Room: A
4 x 10 cabinet, captured with a German classic large-membrane condenser
mic at a distance. Roomy with a nice depth and width that caters for a
very natural sound in the mix

Effects

Alligator Triple-Filtered Gate

Three-channel pattern-based gate effect
Three parallel filters, distortion, phaser, and delay
Each
channel has a separate gate controlled by the sixty-four included
patterns, triggered from the sequencer, the Matrix, the RPG-8
arpeggiator devices, or via a MIDI keyboard
Each channel runs through either a high-, band-, or a low-pass filter
Pan and volume controls

The Echo

Stereo echo combining modern delays with the organic sounds of analog circuitry and old-school tape machines
Settings for delay time, tempo sync, stereo width, and pitch
Ping-pong bounces the delayed signal from left to right
Offset provides a wide stereo spread
Keep-pitch keeps the delay feedback in tune when modulating the delay time for bouncing ball effects
Feedback controls
Color section provides limiting, overdrive, distortion, or tube distortion for the repeats
Band-pass filter cuts frequencies from the repeats and boosts them when the resonance is turned up
Modulation section features parameters for modulating the pitch and stereo image of the echoes
Breakout jacks allow for inserting any number of other effect units into the feedback loop

RV7000 mkII Reverb

Stereo reverb
Convolution
reverb—load any of the supplied impulse responses or create your own
otherworldly reverb effects by sampling or loading your own impulse
responses
Nine reverb algorithms with seven individual
parameters each—Small Space, Room, Hall, Arena, Plate, Spring, Echo,
Multitap and Reverse, each with up to seven individual parameters
Three separate sections—Reverb, EQ, and Gate

Scream 4 Sound Destruction Unit

Ten
different “audio damage” methods or distortion types—Overdrive,
Distortion, Fuzz, Tube, Tape, Feedback, Modulate, Warp, Digital, and
Scream
Cut section is a +/-18 dB EQ
Body Section is a
type of speaker simulator with five basic body types to choose from, and
separate controls for Body Resonance and Body Scale

Other Effects